|
Playwright
Lanford Wilson, born in Lebanon, Missouri in 1937, is a
pioneer of the Off-Off-Broadway and regional theatre
movements. He won the 1980 Pulitzer Prize for Talley's
Folly (1979). Wilson attended schools in Missouri, San
Diego, California and Chicago before moving to New York
City in 1962. From 1963 his plays were produced regularly
at Off-Off-Broadway theatres such as Caffe Cino and La
Mama Experimental Theatre Company.
He is the
author of Balm In Gilead, The Rimers Of Eldritch, The
Gingham Dog, Lemon Sky, Serenading Louie, The Hot L
Baltimore, The Mound Boulders, Angels Fall, 5th Of July,
Talley & Son, Talley’s Folly, Burn This, Redwood Curtain,
Trinity, A Sense Of Place Or Virgil Is
Still The Frogboy, Sympathetic Magic, Book Of Days and
some thirty one
act plays including Brontosaurus, The Great Nebula In
Orion and the paired A Poster Of The Cosmos and The
Moonshot Tape. For television: Taxi! (no relation to the
series) and The Migrants, from a story by Tennessee
Williams. He has also written the libretto for Lee Hoiby’s
opera of Williams’ Summer and Smoke and a new translation
of Chekov’s Three Sisters.
Awards
include the Brandeis University Creative Arts Award in
Theatre Arts, The Institute of Arts and Letters Award, The
Edward Albee Last Frontier Award, The John Steinbeck
Award, The State of Missouri Outstanding Artists Award,
The Drama Desk Award for Rimers Of Eldritch, The
Drama-Logue Aw ard
(Los Angeles) for Talley’s Folly and 5th Of July, two New
York Drama Critic’s awards for Best Play (Hot L and
Tally’s Folly), 3 Obie Awards for Best Play (Hot L, The
Mound Builders and Sympathetic Magic), an Obie for
Sustained Achievement, and the Pulitzer Prize for Drama
(Talley’s Folly). He was inducted into the Theater Hall of
Fame in 1994, The American Academy of Achievement in 1995
and the Missouri Writer’s Hall of Fame in 1998.
Wilson is a founder (with
Tanya Berezin, Rob Thirkield and Marshall W. Mason) of The
Circle Repertory Company in New York City and was a
resident playwright there from 1969-1995. He is a member
of the Dramatists Guild Council and has made his home in
Sag Harbor since 1970.
Schedule of
Events:
WEDNESDAY,
APRIL 18
3:00 P.M. - 4:00 P.M.--Tour
of "WILLIAM INGE’S INDEPENDENCE." Sign up at the
Registration desk in the Margaret Goheen Foyer, Fine Arts
Building. Tour leaves from in front of Inge Theatre. Fee:
$2
4:00 P.M. - 5:00 P.M.--SCENES FROM WILLIAM INGE'S DARK AT
THE TOP OF THE STAIRS at his boyhood home, 514 N. 4th
Street. Limited space-sign up at the Registration Desk in
the Margaret Goheen Foyer, Fine Arts Building. (must have
Daytime Pass or entrance fee is $5)
8:00 P.M.--A Staged Reading of MY SON IS A SPLENDID DRIVER
by William Inge. The playwright's autobiographical novel,
adapted for the stage by Dennis Brown, with actress Mary
Beth Hurt in the lead role. Adults $8.00/Students $5.00
(ICC students free). All seats reserved. William Inge
Theatre, Fine Arts Building.
THURSDAY, APRIL 19
8:00 A.M. -
4:00 P.M.--REGISTRATION in the Margaret Goheen Foyer of
the William Inge Theatre, Fine Arts Building. FREE FILM
FESTIVAL featuring "Penn Avenue to Broadway" (Inge
documentary) and other Inge films: Splendor in the Grass,
Picnic, Bus Stop, The Dark at the Top of the Stairs, and
Come Back, Little Sheba. Academic Bldg, Room114.
8:00 A.M. - 9:00 P.M.--THE WILLIAM INGE COLLECTION open to
visitors. College Library, Academic Building.
11:00 A.M. - 12:00 P.M.--Tour of "WILLIAM INGE’S
INDEPENDENCE." Sign up at the Registration desk in the
Margaret Goheen Foyer, Fine Arts Building. Tour leaves
from in front of Inge Theatre. Fee: $2
12:00 P.M. - 1:00 P.M.--SCENES FROM WILLIAM INGE'S DARK AT
THE TOP OF THE STAIRS at his boyhood home, 514 N. 4th
Street. Limited space-sign up at the Registration Desk in
the Margaret Goheen Foyer, Fine Arts Building. (must have
Daytime Pass or entrance fee is $5)
1:30 P.M. - 2:30 P.M.--"WILLIAM INGE: A HALF CENTURY AFTER
COME BACK LITTLE SHEBA." Inge biographer, Dr. Ralph
Voss,will discuss Inge's stature in American theatre
history, will comment on his life and its alignment with
his work, and will offer some views on the future of his
work on stage and in scholarship. Music Hall, Fine Arts
Bldg. (Daytime Pass)
2:45 P.M.- 4:00 P.M.--"PERSPECTIVES ON MY SON IS A
SPLENDID DRIVER." A panel discussion about Inge's
biographical novel with Dennis Brown and members of the
Inge family. Music Hall, Fine Arts Building. (requires
Daytime Pass)
4:00 P.M. - 5:00 P.M.--Tour of "WILLIAM INGE’S
INDEPENDENCE." Sign up at the Registration desk in the
Margaret Goheen Foyer, Fine Arts Building. Tour leaves
from in front of Inge Theatre. Fee: $2
8:00 P.M.--A Staged Reading of MY SON IS A SPLENDID DRIVER
by William Inge. The playwright's autobiographical novel,
adapted for the stage by Dennis Brown, with actress Mary
Beth Hurt in the lead role. Adults $8.00/Students $5.00
(ICC students free). All seats reserved. William Inge
Theatre, Fine Arts Building.
9:30 P.M.--"MOONGLOW AT THE HOTEL BOOTH." After-theatre
party at the historic Hotel Booth, 8th & Main,
Independence, with "THE QUEEN BEY TRIO." TICKETS: $12.00
(Includes hors d'oeuvres and wine)
FRIDAY, APRIL 20
8:00 A.M. -
4:00 P.M.--REGISTRATION in the Margaret Goheen Foyer of
the William Inge Theatre, Fine Arts Building. THE WILLIAM
INGE COLLECTION open to visitors. College Library,
Academic Building. FILM FESTIVAL continues in AC114,
Academic Building. (Check schedule at Registration
Desk/outside classroom) FREE
8:00 A.M. - 9:00 A.M.--SCENES FROM WILLIAM INGE'S DARK AT
THE TOP OF THE STAIRS at his boyhood home, 514 N. 4th
Street. Limited space-sign up at the Registration Desk in
the Margaret Goheen Foyer, Fine Arts Building. (must have
Daytime Pass or entrance fee is $5)
9:00 A.M. - 10:15 A.M.--"THEATRE WORKSHOPS IN ACTING,
WRITING, AND DIRECTING." Three different workshops on
these topics will be conducted by theatre professionals.
Session #1: Inge Theatre-Marshall Mason: Directing
Workshop, Music Hall-Luke Yankee: Creating your Own Career
In the Theatre, FA114-Mary Hanes & Jason Milligan: Writing
and Producing for Television. Session #2: Inge Theatre-
Michael Warren Powell: Scene Study, Music Hall-Eileen
Heckart discusses The Waverly Gallery, and FA 114-Mary
Hanes, Jason Milligan, Mark St. Germain, and Robert
Anderson: Getting Started As a Playwright. (Daytime Pass)
10:30 A.M. - 11:45 A.M.--"A CONVERSATION WITH LANFORD
WILSON." Join playwright Wilson and longtime collaborator
and director Marshall Mason for a discussion about theatre
and the creative process. Inge Theatre, Fine Arts
Building. (requires Daytime Pass)
11:45 A.M. - 1:00 P.M.--A "MOVEABLE FEAST" LUNCH. A
keepsake lunchbag with contents to be eaten at numerous
locations. Margaret Goheen Foyer, Fine Arts Building. Fee:
$8.00
1:00 P.M. - 2:00 P.M.--"DESIGNER JO MIELZINER AND INGE'S
PICNIC." Mary Henderson, author of Mielziner:Master of
Modern Stage Design will discuss Mielziner's set design
for Picnic. Music Hall, Fine Arts Building. (requires
Daytime Pass)
2:15 P.M. - 4:30 P.M.--"SCHOLAR’S CONFERENCE." Conference
Director: Dr. Jackson Bryer, The University of Maryland.
Lecture Hall, Academic Building. (requires Daytime Pass)
3:00 P.M. - 4:00 P.M.--Tour of "WILLIAM INGE’S
INDEPENDENCE." Sign up at the Registration desk in the
Margaret Goheen Foyer, Fine Arts Building. Tour leaves
from in front of Inge Theatre. Fee: $2
4:00 P.M. - 5:00 P.M.--SCENES FROM WILLIAM INGE'S DARK AT
THE TOP OF THE STAIRS at his boyhood home, 514 N. 4th
Street. Limited space-sign up at the Registration Desk in
the Margaret Goheen Foyer, Fine Arts Building. (must have
Daytime Pass or entrance fee is $5)
7:00 P.M.--"A GALA DINNER Party at the Independence
Country Club." The awarding of the 2000 Margo Jones Award
and Medal. Silent Auction of theatre memorabilia starts at
6:00 p.m. All proceeds from the silent auction benefit the
restoration of the boyhood home of William Inge, owned by
the Inge Festival Foundation. All seats reserved. $50.00
SATURDAY, APRIL 21
8:00 A.M. -
4:00 P.M.--REGISTRATION at the INDEPENDENCE MUSEUM, 8th &
Myrtle, Independence.
8:00 A.M. - 12:00 P.M.--THE WILLIAM INGE COLLECTION open
to visitors. College Library, Academic Bldg, ICC campus.
8:00 A.M. - 9:00 A.M.--TOUR OF "WILLIAM INGE’S
INDEPENDENCE." Sign up at the Registration desk at the
Independence Museum. Tour leaves from Museum. Fee: $2
9:00 A.M. - 10:00 A.M.--SCENES FROM WILLIAM INGE'S DARK AT
THE TOP OF THE STAIRS at his boyhood home, 514 N. 4th
Street. Limited space-sign up at the Registration Desk at
the Independence Museum. (must have Daytime Pass or
entrance fee is $5)
10:15 A.M. - 11:45 A.M.--"NEW VOICES IN AMERICAN THEATRE:
2001." Scenes from playwright Mark St. Germain's play,
"Bernhardt on the Boardwalk, Duncan On The Dunes," with
discussion afterwards. Independence Museum, 8th & Myrtle
Street. (requires Daytime Pass)
12:00 P.M. - 1:15 P.M.--"PICNIC LUNCHEON" at Riverside
Park, 4-H Building. Fee: 8.00
1:30 P.M. - 2:30 P.M.--"THE CIRCLE REPERTORY COMPANY." A
panel discussion about the inception and development of
this theatre company founded by Lanford Wilson, Marshall
Mason, Rob Thirkield and Tanya Berezin. Independence
Museum, 8th & Myrtle Street. (requires Daytime Pass)
2:45 P.M. - 3:45 P.M.---"I REMEMBER BILL INGE." A panel
discussion with reminsces from family, friends, and
colleagues. Independence Museum, 8th & Myrtle Street.
(requires Daytime Pass)
4:00 P.M. - 5:00 P.M.-- SCENES FROM WILLIAM INGE'S DARK AT
THE TOP OF THE STAIRS at his boyhood home, 514 N. 4th
Street. Limited space-sign up at the Registration Desk at
the Independence Museum. (must have Daytime Pass or
entrance fee is $5)
8:00 P.M.--"TRIBUTE TO LANFORD WILSON." Presentation of
"THE DISTINGUISHED ACHIEVEMENT IN THE AMERICAN THEATRE
AWARD." William Inge Theatre. All seats reserved. $12.00
(ICC STUDENTS FREE)
Festival Participants
ROBERT ANDERSON's plays
have been produced professionally and in community and
college theatres all over the world. His most famous plays
include Tea and Sympathy (1953), Silent Night, Lonely
Night (1959), You Know I Can't Hear You When The Water's
Running (1967), I Never Sang For My Father (1968), and
Solitaire/Double Solitaire (1971). Anderson has also
written extensively for motion pictures, radio, and
television. His film credits included Tea and Sympathy,
(1956), Until They Sail, (1957), The Nun's Story, (1959),
The Sand Pebbles, (1966), and I Never Sang For My Father,
(1970), (nominated for the Academy Award and winner of the
Screenwriter's Guild Award). In 1980 Anderson was
nominated for the Writer's Guild Award for his television
drama, The Patricia Neal Story, and was elected to The
Theatre Hall of Fame in 1981. The Kissing Was Always The
Best is one of his most recent plays and I Never Sang For
My Father enjoyed a successful revival in 1987 and 1988.
In 1991, two of Anderson's works were shown on television,
The Last Act Is A Solo, which won an Ace Award, and
Absolute Strangers. Anderson is on the Dramatists Guild
Council and served as Vice-President of the Authors League
of America. He is the author of two novels: After and
Getting Up and Going Home. Last year, Mr. Anderson was
honored by Hofstra University with the “Robert Anderson
Retrospective: Theatre and Film” symposium.
WILLIAM ATHERTON's movies
include The Sugarland Express, The Day of the Locust,
Looking For Mr. Goodbar, Ghostbusters, Die Hard and Die
Hard 2 among others. Television films and miniseries
include James Michener's Centenniel, Broken Trust for TNT,
and the role of Daryl Zanuck in HBO's Introducing Dorothy
Dandridge. He will be seen next in Columbia/TriStar's
Race For Space. In theatre, he received the Drama Desk
Award, Outer Circle Critics Award and two Obie nominations
for Suggs in the City. He was in John Guare's House of
Blue Leaves and Rich and Famous.
TANYA BEREZIN is a
co-founder, with Lanford Wilson and Marshall Mason, of the
Circle Repertory Company in New York. She served as its
artistic director from 1986-1994 with noteworthy
productions as Three Hotels, The Fiery Furnace, Prelude to
a Kiss, and Wilson's Redwood Curtain. Her career in the
theatre includes off Broadway productions of Sympathetic
Magic, The Mound Builders (Obie Award 1975, Serenading
Louie, and Battle of Angels. Broadway productions include
Angel's Fall and Fifth of July. She is currently an
acting coach for several independent clients.
JACKSON R.
BRYER is a Professor of English at the University of
Maryland, College Park and serves as director of the Inge
Festival Scholar's Conference. In 1981, he served as a
consultant to the National Endowment for the Humanities
for the William Inge Archives at Independence Community
College. He is the editor of The Theatre We Worked For:
The Letters of Eugene O’Neill To Kenneth MacGowan (1982)
and many other publications. In 1988 he published “An
Interview with Robert Anderson" in Studies In American
Drama and most recently edited The Playwright's Art:
Conversations With Contemporary American Dramatists, New
Essays on F. Scott Fitzgerald's Neglected Stories, and The
Actor’s Art: Conversations with Contemporary American
Stage Performers.
DENNIS BROWN is an author
and screenwriter. His first book, Shoptalk:Conversations
about Theater and Film with Twelve Writers, One Producer -
and Tennessee Williams' Mother, was published in 1992.
Actors Talk: Profiles and Stories from the Acting Trade,
was published last year. His TV-movie adaptation of the
classic Civil War short story The Perfect Tribute, starred
Jason Robards as Abraham Lincoln. For ten years he was a
publicist at CBS Entertainment, where he developed the
publicity campaigns for such mini-series as The Blue and
The Gray, Buffalo Girls and George Washington. He was
Angela Lansbury's publicist for the final seasons of
Murder, She Wrote, as well as for Mrs. Santa Claus.
CONCHATA FERRELL will be
seen in the upcoming film K-Pa, starring Kevin Spacey and
Jeff Bridges and is about to begin Deeds, starring Adam
Sandler and Winona Ryder. While she has recently been seen
in Erin Brockovich, her film credits also include Touch,
My Fellow Americans, Heaven and Earth, directed by Oliver
Stone, Edward Scissorhands, and Mystic Pizza. Ferrell also
starred in the critically acclaimed independent feature,
Heartland. In television she was a regular on Townies,
Hearts Afire, ER-Emergency Room, McLain's Law, and B.J.
and the Bear. However, her most notable performance came
as Susan Bloom on the long-running series L.A. Law for
which she received an Emmy nomination. Theatre includes
the Ahmanson Theatre production of William Inge's Picnic,
Lanford Wilson's The Hot L Baltimore, and The Sea Horse-a
performance which earned her a Drama Desk award, and OBIE
and the Theater World Award for the Most Promising
Newcomer.
MARY HANES has had many
plays, one-acts and comedy shows produced around the
country. Her full-length play, The Crimson Thread, was
produced for National Public Radio and received its first
regional production at Seven Angels Theater in Waterbury,
Connecticut, and its West Coast premiere at the Pasadena
Playhouse. The Crimson Thread is currently running at
Wings Theater in New York City. Her comedy, Doin' Time at
the Alamo was purchased by Hallmark. Mary is a recipient
of the Inge Festival’s “New Voices in American Theatre”
Award and the “Mildred & Albert Panowski Playwriting
Award.” Mary co-developed PAX TV's 1999 series Hope Island
where she served as Executive Producer. Currently she is
writing and producing on the WB series, Dead Last.
THE 2000
MARGO JONES AWARD WAS PRESENTED TO EILEEN HECKART AT THE
GALA DINNER AT THE INDEPENDENCE COUNTRY CLUB ON FRIDAY,
APRIL 20.
EILEEN HECKART is a
favorite character actress of the Broadway stage, motion
pictures, and television drama and was recently inducted
into the Theatre Hall of Fame. She starred in William
Inge's Picnic, as Rosemary, and The Dark at the Top of the
Stairs, as Lottie. She also starred as Gladys in the movie
version of Inge's Bus Stop. Honors include an Academy
Award in 1973 for best actress in the movie Butterflies
Are Free, two Emmy Awards, a Golden Globe, four Tony
nominations, and three honorary doctorates. Miss Heckart
attended Ohio State University with Jerome Lawrence, was
in Robert Anderson's play You Know I Can't Hear You When
the Water's Running, starred in John Patrick's play
Everybody Loves Opal, and replaced Mildred Natwick in Neil
Simon's Barefoot in the Park on Broadway. Last year,
Eileen Heckart won eight awards (including the Obie, Drama
Desk, and an honorary Tony Award) for her performance in
Kenneth Lonergan's Off-Broadway play, The Waverly Gallery
about a woman's journey into Alzheimer's disease.
MARY HENDERSON is an
internationally known expert on American theatre history
and was, for more than a decade, Curator of the Theatre
Collection of the Museum of the City of New York and has
also served as executive director of the San Francisco
Archives of the Performing Arts. She was the
Founder-director of the now defunct Theatre Museum in New
York's theatre district from 1982 to 1986 and is now
curator of the White Barn Theatre Museum in Westport,
Connecticut. She is the author of The City and the
Theatre, Theater in America, Broadway Ballyhoo, The New
Amsterdam: Biography of a Broadway Theatre, and Mielziner:
Master of Modern Stage Design, which was released March
2001. For twelve seasons, she was a member to the "Tony"
Nominating Committee. Among her distinctions have been a
Guggenheim Fellowship (1983), the George Freedley Book
Award (1987), A National Endowment for the Humanities
Fellowship (1991), a Graham Foundation grant (1994), the
Broadway Theatre Institute Award (1995), and the USITT
Golden Pen Award (1999).
JUDD HIRSCH began his stage
career in 1964 at the Woodstock Playhouse playing Murray
Burns in Herb Gardner's A Thousand Clowns. In 1966, he
played the comic telephone man in Neil Simon's Barefoot in
the Park on Broadway. Off-Broadway includes Lanford
Wilson's Hot L Baltimore and creating the role of Matt
Friedman in Talley's Folly for which he won an Obie
Award. On Broadway he won the Drama Desk Award for Knock,
Knock, appeared in Neil Simon's Chapter Two, was nominated
for a Tony and Drama Desk Award for his performance in
Talley's Folly, and won the Tony Award for I'm Not
Rappaport. He won a Tony once more for Conversations With
My Father in 1992. In 1996 he appeared in A Thousand
Clowns and in 1998-99 he starred in Art on Broadway.
Television includes playing Alex Rieger in the long
running series, Taxi, Dear John, and George and Leo with
Bob Newhart. Films are numerous: Ordinary People,
Teachers, The Goodbye People, Running On Empty,
Independence Day, Man On The Moon.
MARY BETH HURT appeared
last December in the Lincoln Center production of Wendy
Wasserstein's Old Money. She has received three Tony Award
nominations, for her title-role performances in Arthur
Wing Pinero's Trelawney of the Wells, for her acclaimed
performance in Michael Frayn's British drama Benefactors,
and for her role as Meg in Beth Henley's Pulitzer Prize -
winning Crimes of the Heart. She first played Meg in the
original Off - Broadway production (for which she won an
Obie award), and then repeated the role on Broadway and in
Los Angeles. Other stage credits include David Hare's The
Secret Rapture. She starred with George Grizzard in the
recent New York revival of Edward Albee's Pulitzer Prize -
winning A Delicate Balance. Hurt made her film debut in
Woody Allen's Interiors. Other notable films include The
World According to Garp, the eerie cult classic Parents,
Six Degrees of Separation (from the play by John Guare),
The Age of Innocence and Bringing out the Dead (both
directed by Martin Scorsese), and Affliction, which was
written and directed by her husband, Paul Schrader. Last
year she appeared in Autumn in New York and The Family
Man.
ZANE LASKY has made
appearances on such television shows as Mad About You,
Knot's Landing and Dallas as well as being a series
regular on The Tony Randall Show. Film appearances include
Network, Hester Street and Sentinel. Broadway performances
include Three Men on a Horse, directed by John Tillinger;
The Seagull, directed by Marshall Mason; A Little Hotel on
the Side; and All Over Town, directed by Dustin Hoffman.
He has also in the national tour of Art with Judd Hirsch.
He was in Lanford Wilson's The Hot L Baltimore and Balm in
Gilead, and in Not Enough Rope directed by Judd Hirsch.
Other theatre credits include the national tour of The Odd
Couple with Jack Klugman and Tony Randall and in Death of
a Salesman at the Falcon Theatre in L.A.
DAVID E. LeVINE is a
theatrical lawyer, consultant and lecturer. He is Chairman
of the Margo Jones Award Committee, a trustee of the
Eugene O'Neill Theatre Center, and a member of the board
of the T. Schreiber Studio. He was Executive Director of
the Dramatists Guild, Inc., from 1966 to 1992. He was a
founding member of the Broadway Alliance Committee and a
member of the Tony Awards Administration Committee. He is
a graduate of Harvard College and Columbia University Law
School.
MARSHALL MASON’s long time
collaboration with Lanford Wilson has spanned over thirty
years. His twelve productions on Broadway received four
Tony Awards for Redwood Curtain, Burn This, Fifth of July,
and Talley’s Folly. Tony nominations include five for Best
Director: Knock, Knock, Talley’s Folly, Fifth of July,
Angels Fall, and As Is. He was the founding artistic
director of New York’s Circle Repertory Company and is the
recipient of six Obie Awards for his work Off-Broadway,
honoring his original direction of The Hot L Baltimore,
Battle of Angels, The Mound Builders, Serenading Louie,
Knock Knock and for his sustained achievement in over 150
productions. He has also directed Chekhov’s Three Sisters,
The Seagull, Shakespeare’s Hamlet and King Lear, and
Albee’s Who’s Afraid of Virginia Woolf? He is the
recipient of the Margo Jones Award, the Theater World
award, the Inge Festival Directing Award, The Last
Frontier Award for Distinguished Direction, and the Edwin
Piscator Award. Most recently, he directed Ginger, a new
musical based on the life of Ginger Rogers and will next
stage his new translation of Enrico IV.
JASON MILLIGAN's plays have
been produced throughout the United States, in Canada and
in Europe. Twenty-three of them are now published by
Samuel French, Inc., including Men In Suits, which was
originally read at the Inge Festival in 1993 when Jason
was chosen as the first "New Voices in the American
Theatre" playwright. Men In Suits went on to receive a
world premiere at the historic Westport Country Playhouse
in Westport, Connecticut starring Charles Durning, Dan
Lauria and James Handy. Jason has also authored or
co-authored five collections of audition monologues for
Samuel French as well. He and fellow "New Voice" honoree
Mary Hanes recently served as Supervising Producer and
Executive Producer, respectively, for Hope Island, an
award-winning television series on the PAX network, which
they created and wrote together. Jason currently works as
a writer for the Walt Disney Company.
DEBRA MONK's Broadway
performances include Ah Wilderness, Steel Pier, (Tony
Nomination) Company, Picnic, (Tony Nomination) Redwood
Curtain, (Tony Award) Nick and Nora, Prelude To A Kiss,
and Pumpboys and Dinettes. Off-Broadway includes Time of
the Cuckoo, Death Defying Acts, 3 Hotels, Oil City
Symphony, and Assassins. Television credits include NYPD
Blue (Katie Sipowicz-Emmy Award), Nero Wolfe (A & E),
Trinity, Law and Order, and many others. Film-Devil's
Advocate, In and Out, Substance of Fire, Extreme Measures,
The Bridges of Madison County, Jeffrey, Quiz Show.
MICHAEL WARREN POWELL has
been associated with Lanford Wilson since the early
1960's. At the Caffe Cino, Lanford wrote his early plays,
So Long at the Fair and Home Free! for Powell. Michael
appeared in Wilson's This is the Rill Speaking, The Rimers
of Eldritch, Balm in Gilead and The Gingham Dog and in
many more by Sam Shepard, Paul Foster, Rochelle Owens and
others. Today Michael still acts in television (Law and
Order) and in film (Prelude to a Kiss). He is Artistic
Director of Circle East, the theater company he inherited
from Circle Rep, and Artistic Director of The New York
State Summer School of Theater Arts. He began the New Play
Lab for the Alaska New Frontier Theatre Conference in
Valdez. He is on the Directing Faculty at Rutgers
University.
MARK ST. GERMAIN has
written Camping With Henry and Tom (Outer Critics Circle
Award-Best Off Broadway Play, Lucille Lortel Award-Best
Off Broadway Play and included in The Best Plays of
1994-95), Out of Gas on Lover’s Leap and Forgiving Typhoid
Mary. His latest play Bernhardt on the Boardwalk, Duncan
on the Dunes has been optioned by Producer Daryl Roth.
With Randy Courts, he has written the musicals The Gifts
of the Magi, Johnny Pye and the Foolkiller, Jack’s Holiday
and an adaptation of Walter Wangerin’s National Book
Award-winning The Book of the Dun Cow. Mark has also
written the book for the Tammy Wynette musical Stand By
Your Man. Television include Carol Burnett & Company and
The Cosby Show. He is currently adapting for the screen
Nelson Mandela’s autobiography, Long Walk To Freedom.
LANE SMITH won a Drama Desk
Award for his performance in David Mamet's Glengarry Glen
Ross. He starred as Randle McMurphy in the Off-Broadway
revival of One Flew Over the Cuckoo's Nest. In film he
portrayed Grantland Rice in The Legend of Beggar Vance.
Other notable motion pictures include Why Do Fools Fall in
Love, The Scout, The Distinguished Gentleman, The Mighty
Ducks, My Cousin Vinny, Air America, Places in the Heart,
Red Dawn, Frances, Prince of the City, Honeysuckle Rose,
Blue Collar, Network and Rooster Cogburn. In 1989 Smith
was nominated for a Golden Globe for his performance as
Richard Nixon in the ABC television mini-series, The Final
Days. Television series include playing editor Perry White
in Lois & Clark: The New Adventures of Superman. His
television credits include Special Bulletin, Something
about Amelia, A Death in Canaan, Gideon's Trumpet, Prime
Suspect, A Rumor of War, Chiefs and Tom Hanks' epic From
the Earth to the Moon. Last season he starred in the
Showtime production of Inherit the Wind.
RALPH VOSS, a professor of
English at the University of Alabama, is the author of the
William Inge biography, A Life of William Inge: The
Strains of Triumph. A native of Lyons, Kansas, Voss holds
B.A. and M.A. degrees from Ft. Hays State University and a
Ph.D. from the University of Texas at Austin. He has
published biographical and critical articles about Inge
and his works in The Dictionary of Literary Biography, The
Dictionary of American Biography, Kansas Quarterly and The
Library Chronicle. He also teaches and publishes in the
field of rhetoric and composition.
PHILIP WILLIAMS received
his BFA in drama from the University of Miami, his MFA in
playwriting from the University of Minnesota, and a PhD
from the University of Colorado. His doctoral thesis on
the collaboration of Lanford Wilson and Marshall W. Mason
at the Circle Rep was published in 1993. He is the author
of several plays, including The Hunter, Dark Twist, and
The Purer, Brighter Years.
LUKE YANKEE has directed,
produced and taught at regional theatres throughout the
U.S. and abroad. Last summer, he directed a new
off-Broadway comedy, High Infidelity, starring Barbara
Eden and John Davidson at the Promenade Theatre. He has
served as the Artistic Director of the Long Beach Civic
Light Opera and the Struthers Library Theatre. Directing
highlights include: Love Letters with Ed Asner, Sally
Struthers, Troy Donahue, Joanna Gleason, John Rubenstein,
and Governor Pete Wilson; Night Club Confidential with
Barbara Eden, Man of La Mancha with John McCook, The King
& I with Lee Meriwether, Driving Miss Daisy with Eileen
Heckart and Private Lives with David Canary. For the last
four years, he directed Theatre LA's Ovation Awards,
honoring excellence in Los Angeles theatre. He is a
regular teacher and director at the American Academy of
Dramatic Arts and Columbia College in Hollywood.
Conference Scholars
Robert Combs, George
Washington University, will present a paper titled “Oh,
Those Kids!: Vanishing Childhood Innocence in the Adults
of William Inge.”
Randy Gener, New York City,
will present “A Sense of Spirit: The Sympathetic Magic of
Lanford Wilson’s Later Plays.”
Joy Goldsmith-Kelley,
University of Oklahoma, will present “Avoidance, Topic
Shifting and Silence as Conflict Management in A Loss of
Roses.”
Jeffrey B. Loomis,
Northwest Missouri State University will present “In the
Redwoods of Long-Historied Patriarchy: Lanford Wilson on
America’s Dombeys.”
James David Patterson,
Imperial Valley College, will present “The Electra Complex
in Two Plays by William Inge.”
Beth C. Rips, University of
Nebraska, will present a paper titled “Golden Boys,
American Dreams and the Sins of the Father.”
|